A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | Equity Category and Issue | Group Members | Search Words that describe the category and issue | Source One Title | What makes this a credible source? | More Search Words | Source Two Title | Why is the source appropriate for your research? | Most valuable thing you learned at this session | What you're still unclear about | |||||||||
2 | Flint water crisis | gillian, will, stephanie, Erik, Maddy | Flint water crisis, Flint Michigan | The Flint Water Crisis: What's Really Going On? | Rising Scholar: Flint Water Crisis: Impacts on Human-Environmental Interactions and Reflections for Future Solutions | 1.) Impacts (damage to nature, infrastractural cahnges,children's health, and educatoin) 2.)Solutions (overcoming economic issues, holding officials accountable, environmental protection act) | |||||||||||||
3 | student minorities in higher education | darian, chelsea, paloma, KC, chandler | Minorities, education, minorities in college, affirmative action, first generation students | 1. From Migrant Farmworkers to First Generation Latina/o Students 2. Staggered Inequalities in Acess to Higher Education by Gender, Race, and Ethnicity | 1. Last udated on 2018-11-08. Copyright Johns Hopkins University Press Fall 2018. Source from Scholarly Journals. 2. Section from a book published by Rutgers University | Academic achievement, race, retention | Source 1: Affirmative action through CAMP program for migrant students. This article talks about first generation and latina/o students. Also covers gender and high school acedemic ahievements and their academic outcomes in college. | ||||||||||||
4 | Hollywood minority representation | James, Sydney , Jill, Sam, Evan | Hollywood, representation | 1.Rosenstone, Robert A. History on film/film on history. Routledge, 2014. The Wheelchair's Rhetoric: The Performance of Disability. 4) When Will Hollywood Movies Get LGBT Characters Right? 3. Boxed In 2017-18: Women On Screen and Behind the Scenes in Television | 1. Scholarly article 4.This is from the Daily Beast which is not a scholarly source but the author has a PhD in Women’s, Gender, and Sexuality Studies from Emory University. 3. Center for the Study of Women in Television & Film, San Diego State University | Performance, Disability, LGBT, Film, History, underrepresentation, women, hollywood | Crazy Rich Asians has survived impossible representation standards. Scaife, Steven Nguyen. “Crazy Rich Asians Has Survived Impossible Representation Standards.” The Verge, The Verge, 28 Aug. 2018, www.theverge.com/2018/8/28/17788198/crazy-rich-asians-movie-representation-diversity-constance-wu-henry-golding-awkwafina. | American technology news and media network operated by Vox Media | To be more open minded | Why does Hollywood discrimate against Asians | |||||||||
5 | Equal Play, Equal Pay | Gretchen, Madie, Keri | Sports, women empowerment | 1. In Fight for Equality, U.S. Women’s Soccer Team Leads the Way 2. U.S. Women's Soccer Team Members File Wage Discrimination Complaint. 3. Pay Disparity in U.S. Soccer? It’s Complicated | 1. Published recently (2018), information provided is supported by direct quotes from female athletes directly impacted by issue, author is credible 2. recently published (2016), article found in data base, quotes from women's national soccer team | Gender wage gap, stereotypes, pay disparity, wages | We learned how to use the Belk Library databases to assist us as we discover and analyze research | ||||||||||||
6 | non citizens seeking asylum | Lauren, Caitlin, Jordan | asylum, asylum seekers, united states | Applying the U.S Constitution to Foreign Asylum Seekers: Exposing a curious, inconsistent practice in the federal courts | immigration, refugees, political asylum, national security | No Due Process, No Asylum, and No Accountability: The Dissonance Between Refugee Due Process and International Obligations in the United States | This source is approriate because it is from American University and it is a scolarly journal. I found it on a database from Elon's library website. | The most valuable thing i learned at this lesson was how to search for articles using the databases. | I am unclear about how to make the presentation. | ||||||||||
7 | |||||||||||||||||||
8 | |||||||||||||||||||
9 | |||||||||||||||||||
10 | |||||||||||||||||||
11 | |||||||||||||||||||
12 | |||||||||||||||||||
13 | |||||||||||||||||||
14 | |||||||||||||||||||
15 | |||||||||||||||||||
16 | |||||||||||||||||||
17 | |||||||||||||||||||
18 | |||||||||||||||||||
19 | |||||||||||||||||||
20 | |||||||||||||||||||
21 | |||||||||||||||||||
22 | |||||||||||||||||||
23 | |||||||||||||||||||
24 | |||||||||||||||||||
25 | |||||||||||||||||||
26 | |||||||||||||||||||
27 | |||||||||||||||||||
28 | |||||||||||||||||||
29 | |||||||||||||||||||
30 | |||||||||||||||||||
31 | |||||||||||||||||||
32 | |||||||||||||||||||
33 | |||||||||||||||||||
34 | |||||||||||||||||||
35 | |||||||||||||||||||
36 | |||||||||||||||||||
37 | |||||||||||||||||||
38 | |||||||||||||||||||
39 | |||||||||||||||||||
40 | |||||||||||||||||||
41 | |||||||||||||||||||
42 | |||||||||||||||||||
43 | |||||||||||||||||||
44 | |||||||||||||||||||
45 | |||||||||||||||||||
46 | |||||||||||||||||||
47 | |||||||||||||||||||
48 | |||||||||||||||||||
49 | |||||||||||||||||||
50 | |||||||||||||||||||
51 | |||||||||||||||||||
52 | |||||||||||||||||||
53 | |||||||||||||||||||
54 | |||||||||||||||||||
55 | |||||||||||||||||||
56 | |||||||||||||||||||
57 | |||||||||||||||||||
58 | |||||||||||||||||||
59 | |||||||||||||||||||
60 | |||||||||||||||||||
61 | |||||||||||||||||||
62 | |||||||||||||||||||
63 | |||||||||||||||||||
64 | |||||||||||||||||||
65 | |||||||||||||||||||
66 | |||||||||||||||||||
67 | |||||||||||||||||||
68 | |||||||||||||||||||
69 | |||||||||||||||||||
70 | |||||||||||||||||||
71 | |||||||||||||||||||
72 | |||||||||||||||||||
73 | |||||||||||||||||||
74 | |||||||||||||||||||
75 | |||||||||||||||||||
76 | |||||||||||||||||||
77 | |||||||||||||||||||
78 | |||||||||||||||||||
79 | |||||||||||||||||||
80 | |||||||||||||||||||
81 | |||||||||||||||||||
82 | |||||||||||||||||||
83 | |||||||||||||||||||
84 | |||||||||||||||||||
85 | |||||||||||||||||||
86 | |||||||||||||||||||
87 | |||||||||||||||||||
88 | |||||||||||||||||||
89 | |||||||||||||||||||
90 | |||||||||||||||||||
91 | |||||||||||||||||||
92 | |||||||||||||||||||
93 | |||||||||||||||||||
94 | |||||||||||||||||||
95 | |||||||||||||||||||
96 | |||||||||||||||||||
97 | |||||||||||||||||||
98 | |||||||||||||||||||
99 | |||||||||||||||||||
100 |